Review: 'We Are the Best!'


 ‘Tell me something good about my life’    

 'You’re in the world's greatest band.’     


Lukas Moodysson is back with a film that, at least in spirit, resembles his debut feature Show Me Love (1998): here's the story of three teen outcasts who form a punk band. It’s 1982, and Bobo and Klara are having a tough time both at home and a school. Somewhat neglected by their horrifically liberal-bourgeois parents, and mocked by their peers for looking different, these girls know that something needs to be done: embracing what is best about DIY punk culture, they pick up bass and drums and write one (actually pretty good) song (‘Hate the Sport’). It doesn’t matter that they can’t play their instruments (although they get some musical coaching from the band’s third member, skilled guitarist Hedvig) – it’s their ideas and attitude that matter. 

Image courtesy of Metrodome

Image courtesy of Metrodome

Perhaps I was a soft target: We Are the Best! Feels really close to my heart because I was once a naïve, difficult teen who picked up a guitar and tried to form a band with my then-best friend. It didn’t matter that we never got out of her family’s freezing basement – we felt we were doing the most wonderful thing in the world.  Lukas Moodysson seems to know what it feels like to think you are on top of the world, when in reality you have little going for you: it’s great to see how these three girls bond, how they fight and make up, how they defiantly make a stand against a grey world populated by inane adults (the Youth Centre leaders, their PE teacher) and insipid schoolmates with crimped hair. They’re sketchily portrayed through a narrative that is for the most part episodic; yet the performances and clever (and very funny indeed) script ensure that we are left with an impression of well-rounded, believable characters.

It’s good to see a coming-of-age tale about females; whilst we are used to see young boys bond on screen, cinema’s depiction of teenage girls interacting tends to be outrageously inaccurate, peppered with either over-the-top bitchiness or sickening idealisations of pre-pubescent femininity.  Klara, Bobo and Hedvig bicker a lot, they questions each other’s authority and behaviour, they argue over boys and then eventually put it all right again, their friendship cemented by the experiences they share.

The portrayal of 1982 Stockholm is also something of a delight – a lot of films set in the 1980s  end up being cartoonish, especially when they feature music so heavily. Moodysson and his production design team handle the period setting with care, with little details such as pop-up toasters and Guzzini-like floor lamps being pointers that never feel too forced. The colours are soft and have a vintage 35mm film feel to them, but nothing here screams ‘retro’.

 It’s telling that We Are the Best!  feels so incredibly fresh – Moodysson just seems to have a natural knack at telling us stories about the all-too transient and often awkward period that is adolescence.  This is a film that definitely deserves to be seen widely (here’s hoping it inspires a new generation of riot grrls) – even for the last sequence alone, where the protagonists play a gig so riotous that it puts The Jesus and Mary Chain to shame.