Better late than never. Jenny Hval’s third record under her own name, Apocalypse, Girl, was released a few weeks ago, so why the review now? The record is not an easy one to absorb, but it is essential - each listen unveils a new idea. Hval's progression from 2011’s Viscera through 2013’s Innocence is Kinky, has now taken her into stranger and more compelling lyrical and musical spaces.
Read MoreReview: 'Apocalypse, Girl' – Jenny Hval
in review, Andrew R. Hill, music